My practice is grounded in somatic inquiry and facilitation as an artistic form. I am interested in creating conditions for others to move, sense, and think through the body as a way of witnessing how knowledge emerges through making sense together in action.
This interest is shaped by movement improvisation traditions, from which my methodology evolves. I work with scores as invitations into an attentive readiness to what is alive in the moment—where perception, imagination, and action continuously inform one another. Interpretation remains open and self-scaled, ranging from subtle internal shifts to visible physical changes, guided by curiosity rather than expectation. The performative dimension is primarily internal; what matters is the participant’s experience rather than outward display.
Because these processes unfold relationally, working in groups is essential to my practice. Collective presence supports connection and creates the conditions for shared vitality, reflection, and agency to emerge.
My work therefore develops in dialogue with interdisciplinary environments and people across learning spaces, artistic research contexts, art institutions, and independent settings. These shifting contexts allow the practice to remain responsive and situated, shaped by the people and questions present in each encounter.
Within this trajectory, spectatorship remains a recurring point of inquiry, while my focus increasingly gravitates toward pedagogies that support multidisciplinary inquiry in formal settings. I often work within academic contexts as a guest, contributing embodied and participatory approaches to research and learning. In parallel, my recent and ongoing project engages with memory, exploring somatic archives and experiences of homecoming, decentralizing the performative role. Alongside this, I am attentive to the expanding field of care aesthetics and its implications for artistic and pedagogical practice.
Below you will find ongoing and past projects; related public moments and gatherings are listed in the calendar.
